Poetry

Elegy for the Unloved by Kevin Clark

Nixon declared daylight savings early that year, as if the raw face of the city needed more daylight to show itself off...

Reading Time: 2 Minutes

—Hackensack, NJ 1974

 

I should have hated those winters. I should have known

each day’s dope cast a freeze over figuring what’s next.

I’m still sickened at the black-light mauve we painted

 

the living room, how it spread a shroud over our talk

the instant we entered, slush refreezing on the stoop.

I should have hated the long scar sideswiped into our Ford

 

by some hit-and-run drunk. I should have hated the mid-

afternoon bile-black sky over Packard’s as the string

of fat lights would flicker and start to fail one by one. Why

 

didn’t I sing goodbye years before? How often did I want

the buried core of your hopes to be mine? Every

other ice-hard morning before work we were on line

 

for a quarter tank at the Esso station on Route 4. Nixon

declared daylight savings early that year, as if the raw face

of the city needed more daylight to show itself off…

 

I should have hated the stoned laughs, the stoned parties

with alien friends dribbling half-eaten sentences like nonsense

koans. Remember how doe-eyed Dawn and her mute guy

 

spent whole days rereading the first pages of Fariña, then

forgot every word? But you were willing to wait out the cold

with me, shotgunning dense bursts of weed down my throat.

 

Then the sex, as if prophesying a future beyond the quixotic.

Once you laughed in tears as we bolted your Toklas brownies

on the waterbed, then rode the waves above the undeclared

 

question I’d turn from as it worried your sleeping face.

In my ripped daze, it’s not hard to believe I read Miller

after Rich after de Chardin. Paradisal California seemed

 

a compass setting in a no-go future. Instead we roamed

the squat Ramapo Mountains, where I saw myself

shouldering ahead heroically on my own—and once more

 

I tried to blink away words I hadn’t yet said to you.

When the packed car groaned the shocks low and at last

we chased Route 80 west into the final trip we’d take

 

together, you stared hard at the same sun rising that day

years back when we pulled off the Turnpike and the city

screeched open its ferrous arms. I’d crunched to a stop

 

in front of the clapboard two-story on Prospect, and you

reached for me, the heat of your hand flaring my own.

Some days now it’s a weighty unravelment, a thin tinnitus,

 

soon followed by the memory of one gesture: My hand,

that unrelated coward, choosing to return the heat

of your grip, a clenching you chose to read as promise.

 

About the contributor

Kevin Clark’s third volume of poems The Consecrations is published by Stephen F. Austin University Press. His second book Self-Portrait with Expletives won the Pleiades Press prize. His first collection In the Evening of No Warning earned a grant from the Academy of American Poets. Kevin’s poetry appears in The Georgia Review, The Southern Review, Ploughshares, Prairie Schooner, Iowa Review, Poetry Northwest, diode, Gulf Coast, Crazyhorse, etc. A former critic for The Georgia Review, he’s published essays in The Southern Review, Papers on Language and Literature, and Contemporary Literary Criticism. He taught for many years at the Rainier Writing Workshop.

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