The Weekly

The Chasm Between Mothers and Non-Mothers by Jacqueline Schaalje

Just recently I've joined the ranks of women with invisibility cloaks. Does that make me a Shinto blessing?

Reading Time: 2 Minutes

opened at the airport. In Japan,

I’d been spoilt rotten by the abeyance

of the chasm. A pothole blinked,

 

at most, ground deflated

for a mirroring tadpole, that sailed away

in a burbling gutter.

 

Shinto deities giggled behind

the shoulders of pudgy toddlers

in petal carriages, until temples on hills

smudged through a strawberry sundown.

 

Next to the gate, four would-be matrons

and I look up from our books:

a blond woman in a video chat

 

whose arm must be going dead with a toddler

writhing and shouting. Into the ravine

for an emergency landing. Whoosh! Peep.

 

“We’re taking a plane!” they clamour.

Duh, we all are. My plane

is already roaring. While I scale

 

letters, my celestial ears replug.

Just recently I’ve joined the ranks

of women with invisibility cloaks.

Does that make me a Shinto blessing?

 

In the case of male attention, thumbs up.

I’m happy to see these readers.

One raises her eyebrows.

 

A Kindle smacks into a lap without safety belt.

I gesture Turn down the volume

at the young woman. It’s not as if I can’t listen

 

to your child’s wee discourse.

According to my friends, motherhood would

have fitted me. They said it for the benefit

 

of the child. If I’d allowed it to live,

perhaps the chasm would have impacted me

less as a non-mother feels towards mothers,

than to space invaders.

 

In Japan, you generally don’t see parents

with a large retinue of kids. It’s just one,

two max and they’re small volume.

 

Something to strive for: quietly going about things.

A hotel owner came across as a mother figure.

She shuffled over in her silk trouser suit

 

to a francophone couple to tell them

about the bus service. Then she briskly waddled

to where I stood. Everything she did came out

in a gentle voice, like she was my kami.

About the contributor

Jacqueline Schaalje has published poetry and short fiction, most recently in Pembroke Magazine, The Comstock Review and Wildfire Words, and forthcoming in The Ocotillo Review. She's the winner of the Florida Review Editor's Prize 2022. She is a translation editor at MAYDAY Magazine.

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